Hello everyone. Last update I said how were hard at work on the in-game lore for The Chaser’s Voyage, which would take the form of a Crew Journal. Well, here’s some screenshots of what the Crew Journal will look like.
As you can see, not every category will be unlocked at the beginning of the game. As you progress through the game, making it further and further into your adventure and unlocking insignias, you’ll learn more and more about the history of the galaxy and just how all the pieces line up and affect your voyage.
The banners were made by me using both original assets and repurposing those already in the game. Stylistically, I’m pretty happy with how they turned out.
Your crew will also be providing insight by leaving comments on each entry. These little dialogue exchanges can expand on information presented in the main entry, talk about something tangentially related, or reveal a little bit more information about themselves.
We hope that everyone uses the Crew Journal as a way to measure their progress. It’s the main tracker of meta-progression we have in the game and acts as a non-gameplay-affecting reward for players who keep playing on their voyage to improve and try out all the game’s features.
With most of the general layout completed, all that’s left now is to further polish it, design the layout for the entry selection screens, and implement the text. And there is a lot of text.
You can follow The Chaser’s Voyage and Bright at Midnight on Twitter and join our Discord for more news and to give feedback! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Hello everyone. Cameron and I are back from our winter break and ready to continue our work on (and hopefully finish up) The Chaser’s Voyage this year. So first, let’s go over what we’ve accomplished last year by looking at the Starmap for the game.
Last year, we revamped the tutorial, we added in a new client type, the aligned cartographer, and we updated client stories to improve randomization and fall more in line with our game’s lore. We also made other client tweaks such as highlighting mentions of factions in the client stories, so that you, the player, can really know which clients are good and which will lead to a horrible death. Along the way, we made plenty of little updates, including making some UI changes to improve the experience for gamepad users. When we first made this Starmap, we put the biggest obstacles and challenges first, but we didn’t anticipate some unexpected challenges, like prioritizing implementing gamepad support and making a full performance overhaul. Now though, we are happy with how these things have come together and we’re ready to tackle the final parts of The Chaser’s Voyage before launch.
So what are those parts? They’re the fun little extras that we’ve been dying to get into the game for a long time now. The first is our lore, which takes the form of our Crew Journal. We’ve talked a bit about it before, but to reiterate, it’s pretty much where a bulk of our game universe’s history and character backstories lie. They’ll take the form of various in-universe pieces of media, such as news articles, private messages, or non-voiced character interactions. It’s all extra stuff, but we’ve made a huge effort to ensure that the galaxy you’re flying the Chaser through is a reflection of a consistent world full of other stories to tell or have yet to be told.
With so much lore though, all together it’s the same amount of words as a short novel, one of the first problems we were encountering with the Journal was how it affected the startup loadtime. We actually had all the lore in the game for a while in outdated UI, but since it was inaccessible we removed it for the Early Access builds. Luckily, Cameron seems to have found a promising solution already. At the time of this writing, we are now exploring how we want to present the Crew Journal visually. So, fingers crossed that we’ll be able to get that into an early access build soon.
After that, we’ll only have one more major feature to work on, which is the inclusion of our training mode, the Flight Simulator. This will allow players to create their own scenarios that they can use as practice for the main game. For instance, if pirates chasing you through minefields are always giving you a hard time, you can set the simulator to those same conditions and practice until you master the encounter. You can also adjust your starting health and choose which systems are already damaged upon entering the encounter. The cool thing about implementing this feature is that we already have it in the game, it’s just inaccessible. The reason for that is that is two fold. 1: There are options only intended for our use (to make it easier to capture exactly the footage we want for trailers since so much of our game is determined randomly). And 2: We are planning on overhauling the visuals for the Flight Sim UI, since the ones we have now are fairly bare bones.
After the Flight Sim, it’s a matter of cleaning a few things up, maybe adding some features we didn’t think of at the time, and bug testing before finally launching out of Early Access. Some of these features we’ve already implemented, such as the Voyager+ and Captain+ modes, which lets players play the Ace mode’s encounter randomization on lower difficulties. One of the big things that needs to be cleaned up is our options menu, which is not finalized since we don’t want to set anything in stone while we’re still developing the game and adding new options and setting.
Now, you may have noticed that we also have a “Milestone” between “Phase 1” and “Phase 2”. We wanted to reach a more polished state before we started really using VoxPop’s platform. We are still definitely hoping to collaborate with streamers in order to get the word out there, especially after last year’s updates. Neither Cameron nor I are really into marketing, but we’re determined to do everything we can to make The Chaser’s Voyage succeed.
I have a lot of high hopes for this year. We’re gonna keep working towards making The Chaser’s Voyage really soar and we’re hoping you’ll be with us when this voyage finally takes off!
You can follow The Chaser’s Voyage and Bright at Midnight on Twitter and join our Discord for more news and to give feedback! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
We’re having a special one day sale today! If you haven’t already, now’s your chance to pick up The Chaser’s Voyage for $10.19.
You can follow The Chaser’s Voyage and Bright at Midnight on Twitter and join our Discord for more news and to give feedback! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Hello everyone. It’s been a while since we last updated but we’re finally ready to tell you what we’ve been working on these last 2 and half months. The short version of it all is that we’ve been making some major changes to our tutorial. Since going live with it last November, we’ve gotten to see more people playing The Chaser’s Voyage first hand and it’s given us a better understanding of what we need to prioritize and what we need to back away from when it comes to introducing people to the game. Namely, it required a lot less talking and lot more doing.
I think the current version of the tutorial has too much talking in it. It was a way to introduce some core concepts of not just our game world, but also why the mechanics are the way they are. I thought it was a necessary bridge that needed to be crossed for players to understand why they were doing something. For example, unlike a space game like FTL where you might be traversing the entire galaxy, we limited ourselves to just a small corner of the galaxy, Sector 99, so that all of our planets could have names and backstories and our list of alien species didn’t have to grow to, well, a galaxy sized level. In retrospect, I don’t think that it was necessary to introduce the player to these lore explanations, at least not in the tutorial. So, we did away with a lot of the universe building dialogue, though we still did allow ourselves some brief, inconsequential, moments of world building.
We also thought that having a character explain what needed to be done vs. having text prompts explain would be a more active way for players to learn the ins and outs of the core mechanics. It definitely works for some games, but we realized, it doesn’t work that way for ours. We didn’t want players to feel like our game was too hand holdy or a “by the numbers” type game where “when X happens, you must do Y.” We wanted to emphasize the idea that “Hey, you’re going to be called on to make decisions, so just be ready for that” but I think it ended up adding some bits that the player isn’t necessarily going to be interested in at that moment and the “on the fly decisions bit” can still be reinforced without us having to be explicit.
So, we changed our tutorial to something that uses a lot of less talking and lot more text prompts. This itself required a lot of work, as we made our text prompts no longer automatically close, but instead, players could choose when to close the prompt once they had carried out the prompt’s instructions. We decided that perhaps for this part, a little hand holding was necessary to get the players started. We didn’t want people to feel overwhelmed with options at first, after all. With our text prompts came more inspiration from Nintendo games, where we decided to color code text and use symbols to connect the keywords and instructions to the interactable elements. So for example, when we tell players to set their weapons to level 2 to shoot down missiles, the word “weapons” will be colored green and show the weapons icon and the symbol for level 2 weapons will be next to “level 2”. It’s actually been quite the challenge to think of every way we can make something as clear as possible and this time, no fear of whether or not it might be obvious.
Remaking our tutorial isn’t the only thing we’ve been working on these last couple of months. We’re really trying to revamp our social media marketing campaign. I’ve been doing a lot of studying up and we’re prepared to make a couple of big changes. The first and most notable is that we’re dropping “roguelike” from our marketing and will soon be changing it on Steam. While I will die on the hill that our game is technically a “roguelike”, we are missing a lot of the modern hallmarks of what makes a roguelike a “roguelike”. We don’t have randomized power-ups or engage in tedious resource collection. For better or for worse, those are elements associated with roguelikes and I have gotten some questions along those lines from people wondering how The Chaser’s Voyage is like a roguelike.
And since nobody wants a lecture or a redirection to my article, we feel it’s just better to drop the genre from our marketing. This does once again leave us without a genre to categorize ourselves in but as I said in my “Is Our Game a Roguelike?” article, we don’t like genres and we didn’t set off to make a game constrained by genre. Though, in the writing of this article, I’ve learned that we made some assumptions about genres like “space flight simulation” which encompasses everything from games like Elite: Dangerous, to Kerbal Space Program, to Star Wars: X-Wing. Which is wild. So, going forth, we’ll be leaning more into the “space flight” aspect of our game, perhaps marketing ourselves as a “space flight lite” or maybe just a “space flight sim”. Who knows? (Have I mentioned I hate genres?)
With this change in marketing decision it also means changing some of our stuff on Steam and making a brand new trailer (again). We’re hoping that our new trailer can be the kick-off of our new marketing efforts, but we’ll see if this article doesn’t end up doing that first.
We’ve also made a new Twitter account just for The Chaser’s Voyage that will act as a central source for all things The Chaser’s Voyage (while our Bright at Midnight twitter account will still be focused on stuff going on with us as game devs).
With all this going on, we’re still hopeful of finishing The Chaser’s Voyage relatively soon. We still plan on executing a well-crafted, unique, professional indie game. We want The Chaser’s Voyage to go to the stars and we’re prepared to do whatever it takes to make that happen!
You can follow The Chaser’s Voyage and Bright at Midnight on Twitter and join our Discord for more news and to give feedback! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Last week we got to participate in the Ambitious Game Night hosted by the OC Indie Developers group and showed off The Chaser’s Voyage to local gamers in the area. It was a great night of playing indie games, talking shop with people from all over the industry, and food and drinks.
If we saw you there, we hope you had a good time. It was very exciting setting up our game for a kind of an open demo like that. We have never done anything like that before and we learned a lot about how to present our game in such a setting. We’re looking forward to the next one!
For more news follow us on Twitter and join our Discord. (Where you can also give feedback!)
Last week, we made a post showing off the new trailer for The Chaser’s Voyage and it’s a video I’m personally very proud of. To make it, I went back to the basics to learn more about video editing and, specifically, more about how to make good trailers.
First, let me go over some of the follies I think I made during our last trailers. I’m okay with admitting that they weren’t the best trailers, or even “good” game trailers, because I’m still learning this whole process. Trust me, when I started making this game with Cameron, I had no idea about all the things I’d have to learn and do for marketing purposes.
Do not be mistaken though, I am proud of those older trailers. I think editing and style wise they are pretty good. Our reveal trailer is pretty boring visually, but there are hints of something stylish buried beneath an understandably amateurish composition. Our steam trailer, I like to think, has a lot more flair with trailer unique animations and swooshing character introductions, but it was flair in the wrong direction. Seeing hypothetical people’s perspectives can be really rough. I’ve spent so much time with Edwin, Tai, Nila, and Wolfe, that I forget that most people don’t know how awesome they are. Still, this trailer came about after I redid our entire user interface, meaning my skills in GIMP were still burgeoning.
I really like this composition and still think the effects are really cool, but without anyone really knowing our characters, most people would tune this out
Our early access trailer wasn’t actually meant to be our “big trailer.” It was meant to be a smaller trailer that used the flashier steam trailer as a supplement. You can actually tell though that some of the problems with our marketing strategy were starting to be addressed. Less emphasis on the characters nobody knows about and an attempt to better communicate the mechanics of the game. Still, more often than not, audiences did not seem to see what made our game unique and why it was fun. Your advertisements are often the first time people encounter your game, especially in the wild, so making a good first impression that catches people’s attention is absolutely essential.
As I detailed a couple months ago, for this new video, I went back to the basics and scoured the internet for resources to learn how to make a better game trailer. Luckily, professional game trailer editor Derek Lieu has many videos and articles all about the art form. There’s still so much more to learn and do, but for anyone who wants to learn how to make a trailer on their own, I couldn’t recommend Derek’s stuff more.
For our newest trailer, there’s a few key things I experimented with. The first was zooming in to block off the UI. Unlike many other games, our game is VERY UI dependent. How you interact with the UI is how you play the game, so turning it off completely was just not going to happen. For a long time, I was worried that zooming in so much to completely block off the UI would make the game look not as crisp and that might leave a bad impression, but after some tests, I found that it actually looked really great at 1080p. So with that fear assuaged, I used a lot of zoomed in footage to better get across the daring space adventurer vibe without worrying about the UI detracting at all from that. It also made the beginning of the trailer feel much more dynamic.
It’s worrying that this could give a false impression of how The Chaser’s Voyage is played, but what was more important was just hooking people’s attention.
I also learned how to do picture-in-picture in order to better highlight certain elements (and by that I mean the power management mechanics). This actually allowed me to still show off our characters a bit by connecting them to the primary mechanics. A little pip shows which system is going up, a banner says what action the player will get to do, and the character lets the audience associate the system with the character.
Sound mixing and balancing was also a big focus this time on the trailer. I made sure that every cut was on some sort of beat and that the music was properly balanced to emphasize the voices when they were talking, but to also emphasize the music when nobody was talking. Which is important because our music is still incredible. These are all things I learned from Derek’s videos and articles.
Lastly, it was just making sure we showed off everything we’ve done since the last trailer and this one. Showing off cutscenes, using our new Steam thumbnail art, and even using new character art for the villain of the game, that we showed off as a wallpaper a while back. We also were able to include our player death stops for a very dramatic and suspenseful ending.
While progress can be slow, I feel like we’ve made a lot of progress nonetheless. Cutscenes were a huge milestone for us!
The results were a better trailer. One that I think really shows off what we love about The Chaser’s Voyage and will hopefully be the reason everyone else loves it too. It was totally a lot of work, but it goes to show you that as long as you’re willing to put in the work, check your ego at the door, and always be trying and doing, you can go from a know-nothing novice to a knows-a-little-bit novice like me.
For more updates on The Chaser’s Voyage, be sure to check back on our blog, follow us on Twitter, or join our Discord! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Check it out! Our second early access trailer for The Chaser’s Voyage. It’s been a while since our last trailer and we wanted to incorporate some of the new elements we’ve implemented since then.
We’re really proud of this one and it’s going to be our main trailer going forward. Please, share this trailer with as many people as you can. Let’s keep building up this hype starship!
For more updates on The Chaser’s Voyage, be sure to check back on our blog, follow us on Twitter, or join our Discord! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
I was creating some art arrangements for our new trailer trailer when I made something that I thought would be cool desktop wallpaper (1920×1080).
For more updates on The Chaser’s Voyage, be sure to check back on our blog, follow us on Twitter, or join our Discord! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Hello everyone. Today I thought I would just give you all an update on what I’ve been doing since starting work this year.
With some minor graphical updates made to The Chaser’s Voyage and our tutorial and intro cutscenes from last year now behind us, it was clearly time to begin work on making a new trailer to celebrate the milestones of our latest version. To prepare, I’ve been watching various tips & tricks videos on game trailer editing coupled with some feedback during our time in early access, I’ve been honing my trailer making skills to hopefully best convey the wonderful game I know Cameron and I have been working on.
For anyone curious, I have been singing the praises of Derek Lieu over on our twitter for providing such in-depth looks into what makes game trailers work. Personally, I have felt for a long time now that indie game trailers never adequately explain the “game” part of their game and instead try to sell me on either a world or a vibe. Worlds and vibes are cool and all, but, when I think of indie games, I think of new and exciting ways to play games. Derek’s videos helped me put into words why I think so many indie game trailers either look very unappealing or leave me asking “What am I actually going to do in this game?”
“When does the game trailer get to gameplay part?”
The plan now is to use the advice provided in Derek’s videos to make a game trailer that not only entices, but also explains just what makes The Chaser’s Voyage the fun and unique experience we’ve aimed for since the beginning. Some feedback we’ve gotten is also helping shape this trailer. Perhaps it’s because I’m too close to the project or a game like The Chaser’s Voyage is one that I’ve always wanted to play, but it seems like it was too hard for me to notice the extent at which potential players weren’t understanding the core idea of The Chaser’s Voyage and why it’s fun. That being the tactile, on-the-fly, power management system and the Han Solo-esque ace pilot maneuvers one might pull off.
So, we’re just going to have to explain it people. As mentioned in this Derek Lieu video, sometimes just explaining how to play a game is necessary if it uses a lot of abstract symbols or whose basic mechanics cannot be fully understood until someone plays. Based on the feedback we’ve received, once people understand what our game is about, something clicks and the mechanics all start making sense and are very fun. I think right now, what we’re battling against is people’s assumptions that our power management system is more akin to a power health bar system (which to be fair, we technically have something like that).
Me getting ready to show our trailer once it’s done.
Fortunately, we devised a way to deliver information about the game while keeping that Star Wars inspired cinematic feel of daring space flights and intense chases. This will require some new voice work but luckily, that’s easy enough to obtain since Cameron also provides the wonderful voice of Edwin. A draft of the trailer has already been made that also utilizes some new video editing techniques I learned how to do (such as split screen) and so I’m very excited to show you guys it when it’s done.
For more updates on The Chaser’s Voyage, be sure to check back on our blog, follow us on Twitter, or join our Discord! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
Hello again everyone, we’re overdue for another update on The Chaser’s Voyage, so we hope you’re ready!
1) Everything’s looking super good. Unlike the rest of the game, the tutorial is a set string of events. This gave us more freedom to actually tell a more concrete narrative, which we have fully capitalized on. We’re still steadily making progress on getting everything to be playable. There’s just a few more options that are unique to the tutorial that we need to finish up.
2) New voice lines were recorded, edited, and implemented.
3) Meet Argi, she’ll be showing you the ropes as the new tutorial character.
We took one of the client characters (done by the super talented Santi Leigh) and made a lot of modifications to get a new Nygothan character. She’s a super cheery Nygothan and is pretty excited to teach you how to play the game. I sure hope nothing bad happens to her! We ended up putting a lot more work into her than we initially planned. Originally, our tutorial character was just a simple recolor of one of our client characters. But as Argi got more of a character, we felt she needed a more unique appearance.
4) We’ve implemented boss stops for both the player’s ship and the enemy pirates and bounty hunters. At first, we wanted to keep things relatively simple. A simple sound effect over a brief pause in the action, but it kinda looked too much like the game hanging up. So, we added in some hit animations and decided to do something a little extra for when the player dies. Take a look:
It looks really good when playing! Hopefully we’ll get to show you soon.
So that’s what we’ve been up to the last couple of weeks. For more updates on The Chaser’s Voyage, be sure to check back on our blog, follow us on Twitter, or join our Discord! If you wish to play The Chaser’s Voyage, you can buy it while we’re in Early Access on Steam:
